Famous Nigerian gospel artiste, Sola Allyson, has disclosed that she’s not living with her husband.

The musician made this known in her latest interview on Oyinmomo TV.

While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sharing her marital experience, the singer said she has never enjoyed the kind of happiness many people describe.

“I’m married, but I’m not in my husband’s house. We live separately.”

The interviewer asked: “You sang ‘Eji Owuro’, did you experience genuine love from your husband?

She replied, “We lied before. Those older than us didn’t inform us that it’s tough. They made us believe that so long as you both love each other, you will live happily ever after, but it’s a lie. That’s not the experience I have. I didn’t have the experience of living happily ever after. I did all I could to make it work.”

Afrobeats singer, Shallipopi has knocked popular critic Daniel Regha after the latter criticized his latest album, Auracle.

Daily Voice reports that Regha described the album as lacking lyrical growth, creativity, and substance, saying that while some beats are good, the tracks decline in quality as the album progresses.

He suggested that the project would have been better released as a shorter EP.

Despite the criticism, Regha acknowledged that the song Pull Up, featuring Pa Salieu, had a strong flow, though he rated the album overall very low.

He wrote: “Shallipopi can’t be considered a real artiste, just someone who has access to a studio; But he gets credit for putting his state on the map. His latest album “Auracle” is a painfu’ listen with no lyrical evolvement, substance, or creativity shown. Asides some good beats, each track gets progressively worse from the previous one. He should taken four or five tracks and call it an EP. The project will do numbers due to people’s taste in music nowadays, however no-one’s IQ will improve people’s taste in music nowadays, however no-one’s IQ will improve by such an album, nor can it be a cultural reset.

That said, one song “Pull Up” has a good flow (lyrics aside), with Pa Salieu bringing the track to life. It’s a 1/10. No offense.”

Reacting, Shallipopi wrote: “SYBAU You know nothing about music.”

Ace Nigerian rapper and music executive, Olamide Adedeji, popularly known as Olamide Baddo, has disclosed that he is currently in a new phase of life focused entirely on himself.

Speaking in a recent interview with Flow 98.7 FM, the YBNL boss said he has long been balancing between helping others and pursuing his personal music journey, but has now chosen to focus squarely on his own well-being and growth.

“Right now, I’m at the phase in my life where I’m really trying to give myself undivided attention,” he said.

Olamide reflected on his years of supporting others in the industry, noting that he has always tried to be available for those around him while managing his own career.

All my life I’ve been trying to be there for people and also trying to do my stuff. But right now, I’m really just trying to focus on myself 100 per cent,” he added.

Naija News reports that through his record label, YBNL, Olamide has played a key role in launching the careers of several successful Nigerian artists. Notable names nurtured under his imprint include Lil Kesh, Young John, Pheelz, Fireboy DML, Lyta, Asake, Adekunle Gold, among others.

In addition to those signed under YBNL, Olamide has also offered major platform support to other rising talents by featuring them in songs that later became major hits

These include Zlatan Ibile, Naira Marley, Portable, Bella Shmurda, and many more.

However, controversial Nigerian singer Habeeb Okikiola, better known as Portable, recently claimed that assistance in the Nigerian music industry is strictly a business matter.

The Zazu crooner stated this in a video via his Instagram page, claiming he had helped more people in the music industry than his colleagues Olamide, Don Jazzy, Wizkid and Davido.

According to Portable, his assistance is not only limited to those in the music industry but also extends to the less privileged.

Portable added that when most of the artistes, his colleagues are using for business decide to be independent, they label them as ungrateful.