Entertainment

Ooni Of Ife Holds Colourful Naming Ceremony For Twin Sons

Published

1 week ago

May 31, 2026

The Ooni of Ife, Oba Adeyeye Ogunwusi Ojaja II, and his wife, Olori Mariam, held a naming ceremony for their newborn twins at the Ile-Ife Palace in Osun State.

The Ooni of Ife and Olori Mariam held a naming ceremony for their newborn twin boys at the Ile-Ife Palace in Osun State.

Traditional naming rites were performed, and the twins were given the names Prince Adelowo Adelanaire Adejare Adedunmininu Ademola Taiwo and Prince Adeleye Adelanaola Adejuwon Adedoyim Adebola Kehinde.

The Ooni thanked the public for their prayers and confirmed that both Olori Mariam and the twins are in good health.

Members of the royal household, traditional chiefs, family, and some of the monarch’s wives, including Olori Aderonke, Olori Temitope, and Olori Ashley, attended the event.

Traditional rites for naming newborns were observed during the ceremony. Bananas, beans, kola nuts, bitter kola, sugarcane, gin, water, cash, and dried fish were offered in prayer and for the children’s blessings.

An elder announced the names of the twins during the ceremony, starting with the first child, Taiwo, and then Kehinde.

The first prince received the names Adelowo, Adelanaire, Adejare, Adedunmininu, Ademola, and Taiwo Omo Ooni Adeyeye Ojaja II.

The second prince was given the names Adeleye, Adelanaola, Adejuwon, Adedoyim, Adebola, and Kehinde Omo Ooni Adeyeye Ojaja II.

Traditional music groups performed at the ceremony, and guests congratulated the monarch and his family. The celebration continued with a reception inside the palace, where guests were served food and drinks.

The Ooni recently announced the birth of the twin boys and said that both Olori Mariam and the children are in good health.

The birth comes four years after the Ooni’s marriage to Queen Mariam in 2022.

The Queen, an indigene of Kogi State with a professional background in the oil and gas industry, was integrated into the palace after her separation from her previous wife, Naomi Silekunola.

Her entry into the royal court was marked by traditional rites reflecting the deep-seated customs of the House of Oduduwa.

Recall that the Palace’s Director of Media and Public Affairs, Otunba Moses Olafare, in an official statement released by the Ooni, extended his profound gratitude to Olodumare (God) for the safe delivery of the princes.

He confirmed that both the newborns and the Queen are in excellent health, describing the double addition to the family as a “special blessing.”

The Ooni further expressed his appreciation to the public for their sustained prayers and goodwill. He prayed that the young princes would grow in strength and wisdom, eventually serving as distinguished custodians of the Yoruba people’s ancient cultural heritage.

“I appreciated everyone who has continued to support the palace with prayers, love, and goodwill. This moment calls for thanksgiving and celebration”, he said.

Entertainment

Why Nollywood Star Adunni Ade kept Her Daughter Hidden For Two Years

Published

1 day ago

June 8, 2026

Uthman Abdulganiyu

Popular Nollywood actress Adunni Ade has revealed that she welcomed a daughter with her longtime partner, sharing the news publicly for the first time on her birthday.

A Birthday Surprise: Popular Nollywood actress Adunni Ade marked her birthday by revealing, for the first time, that she had welcomed a daughter, affectionately named Baby Sal, with her long-term partner.

A Guarded Sanctuary: The couple intentionally kept their daughter out of the public eye for over two years, with Adunni citing a desire to protect her family’s peace, celebrate an answered prayer, and navigate private struggles away from the glare of social media.

Dispelling the Rumours: Adunni used the announcement to firmly shut down online speculation and single-mother stereotypes, clarifying that her decade-long relationship did not involve breaking up anyone else’s home for the sake of digital “clicks.”

In a heartfelt post shared on social media, the actress disclosed that she and her partner had kept the child away from the public eye for over two years, choosing to deliberately protect their family’s privacy. \According to Adunni, the journey was marked by personal challenges and silent battles that tested her strength, but she remained entirely focused on enjoying the blessing away from public scrutiny.

She wrote: “We chose privacy. Not because we owed anyone secrecy but because peace is priceless, and not everything good needs an audience. We wanted to enjoy our blessing.”

The actress also directly addressed ongoing speculation regarding her personal life, stressing that her relationship did not involve breaking up any home.

“Not every single mother fits your assumptions. Not every story is a scandal. Not every blessing comes with drama attached. God gave me mine. Fully. Peacefully. Intentionally. Not ‘another woman’s man’ all in the name of clicks,” she stated.

Adunni described the birth of their daughter as an answered prayer, revealing that the couple’s quiet journey together has spanned almost a decade.

“Almighty blessed us with our first child together. Our baby girl, our answered prayer, my evidence that God still writes beautiful stories in His own time,” she added.

Expressing deep gratitude to her supporters, the actress thanked those who had offered genuine love and prayers over the years, whilst praying for others to receive their own distinct blessings.

Prior to the announcement, Adunni was publicly known only as the mother of two sons, D’marion and Ayden, whom she frequently features across her social media pages. She has often spoken openly about raising them as a single mother and maintaining an incredibly close relationship with them.

Born in Queens, New York, to a Nigerian father and a German-Irish mother, Adunni relocated to Nigeria in 2011 and subsequently built a highly successful acting career in Nollywood. She has starred in several prominent English and Yoruba-language films, including It’s Her Day, Soólè, and Funmilayo Ransome-Kuti.

This latest revelation means Adunni is now publicly recognised as a mother of three, with Baby Sal serving as the newest addition to a family she has largely kept out of the celebrity spotlight.

Entertainment

Qing Madi’s Label War Deepens As Both Sides Claim Victory In Court Dispute

Published

3 days ago

June 6, 2026

Uthman Abdulganiyu

Qing Madi’s former label JTON and current representatives KFMD have issued conflicting statements over a Lagos court ruling as the singer’s Spotify dispute continues.

JTON says a Lagos court granted an injunction restricting Qing Madi’s use of music tied to disputed contracts.

KFMD argues the court affirmed the singer’s right to choose her own management and release new music.

Both sides are publicly disputing the meaning of the ruling while the main case awaits trial.

What started as a TikTok live has become a full legal and public relations battle, with two formal statements now on record and both sides telling very different stories about the same court ruling.

To recap: Qing Madi, the 19-year-old singer behind the recently released EP Barely Legal, went live on TikTok this week to address the disappearance of her music from Spotify, pointing directly at Joy Tongo and JTON Music, the label she had been signed to, as the party responsible.

She alleged that Tongo had stolen from her, forged her signature, and systematically targeted her releases. She also claimed she had won a court case against the label, noting that because she was a minor at the time proceedings began, her mother had to appear in court alongside her.

JTON responded with a formal press release, framing the dispute strictly as a commercial and contractual matter.

The label denied any harassment or intimidation, pushed back on the characterisation of the court outcome, and pointed to an interlocutory injunction it said the High Court of Lagos State had granted in its favour, restraining Qing Madi from releasing, performing, or commercially exploiting music produced under JTON, and from entering new deals using the brand and platform it developed, pending the full determination of the suit.

JTON also disclosed recording and distribution agreements with Sony Music and Bu Vision, which it said remain binding.

KFMD Label, which now represents Qing Madi, issued its own counter-statement on June 5, and it reads as a direct, point-by-point dismantling of JTON’s position. On the question of who initiated the case, KFMD was unambiguous: JTON filed the suit, not the artist.

Entertainment

New Music Friday: Young Jonn, Tiwa Savage, Patoranking, And More

Published

1 week ago

May 31, 2026

Uthman Abdulganiyu

From Young Jonn to Patoranking and Ruger, here are the best new Nigerian songs released this Friday across Afrobeats, dancehall, R&B and Alté.

Featuring Tiwa Savage and Wande Coal linking up on ‘Energy’, Patoranking and Ruger bringing dancehall heat on ‘Shake That’, and Young Jonn tapping into Amapiano territory on ‘Elumelu’, this week’s new music from the Nigerian scene covers a lot of ground, ranging from Afrobeats, dancehall, Alté, and everything in between.

Here is everything worth your time this Friday.

Young Jonn – Elumelu

An Afrobeats and Amapiano-tinged record that leans into feel-good energy without overreaching. The rhythmic flow is easy, the kind Young Jonn is known for, and the production is clean.

Tiwa Savage ft Wande Coal, Mavo – Energy

Two of Nigerian music’s most consistent voices on one record. Traditional percussion and highlife-leaning melodies are grounded by R&B vocals that keep it from feeling outdated. A solid collaboration that earns its runtime.

Patoranking ft Ruger – Shake That

With Patoranking, it’s Afro-dancehall done with intent. Patoranking’s reggae fluidity sits well against Ruger’s Afro-fusion delivery. They are two distinct styles that find a middle ground without either artist losing their edge.

Kunmie ft Lojay – Gorgeous

Kunmie’s music is familiar in a way that’s not unbearable. This is a tender record about affection and beauty that doesn’t announce itself. The groove is understated, the emotion is genuine, and Lojay’s presence adds warmth without overshadowing the lead.

Young Legend, ft Joeboy Abefe – Let Me Go

Moves at a comfortable pace, being that it’s rhythmic and melodic in the way contemporary Afropop does well. Joeboy’s vocal signature is recognisable throughout, and Abefe does well on a track that doesn’t deliver too much to the listener.

Joki ft Fave – Sundown

Fave’s vocals carry the weight here, reaching out but restrained at the same time, over production that blends West African groove with a soulful R&B finish. Best experienced on a night drive with the windows down.

Boy Spyce ft Ajebo Hustlers – Heavenly Race

Smooth R&B vocal work meets high-energy Afrofusion and the Hustlers’ rap-laced delivery. The contrast works because Boy Spyce keeps it calm while the featured act brings the momentum.

TheChibyVerse ft DJ Voyst, EasyScope, Ladipoe – Party Scatter

The brief for this one is a song built around controlled chaos, flex culture, humour, and social commentary packed into one Afrobeats record. Ladipoe’s verse anchors it. It’s the lead single from the Sounds From The South album, which sets an interesting tone for the project.

Dusten Truce – Not a Lot

Sits in Alté Hip-Hop territory, blending alternative rap with Afro-fusion. The song is a meditation on survival and self-worth in Nigeria’s reality, and it tries.

Uncle Bubu ft Kemuel, CupidSZN, Telz – Darkest Secrets

Atmospheric synths and R&B undertones give this Afrobeats and Alté record a really cool feel. The song is the type that grows on you; it’s unhurried, infectious, and easy to return to. A fitting close to the week.