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New Music Friday: Young Jonn, Tiwa Savage, Patoranking, And More

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From Young Jonn to Patoranking and Ruger, here are the best new Nigerian songs released this Friday across Afrobeats, dancehall, R&B and Alté.

Featuring Tiwa Savage and Wande Coal linking up on ‘Energy’, Patoranking and Ruger bringing dancehall heat on ‘Shake That’, and Young Jonn tapping into Amapiano territory on ‘Elumelu’, this week’s new music from the Nigerian scene covers a lot of ground, ranging from Afrobeats, dancehall, Alté, and everything in between.

Here is everything worth your time this Friday.

Young Jonn – Elumelu 

An Afrobeats and Amapiano-tinged record that leans into feel-good energy without overreaching. The rhythmic flow is easy, the kind Young Jonn is known for, and the production is clean.

Tiwa Savage ft Wande CoalMavo – Energy

Two of Nigerian music’s most consistent voices on one record. Traditional percussion and highlife-leaning melodies are grounded by R&B vocals that keep it from feeling outdated. A solid collaboration that earns its runtime.

Patoranking ft Ruger – Shake That

With Patoranking, it’s Afro-dancehall done with intent. Patoranking’s reggae fluidity sits well against Ruger’s Afro-fusion delivery. They are two distinct styles that find a middle ground without either artist losing their edge.

Kunmie ft Lojay – Gorgeous

Kunmie’s music is familiar in a way that’s not unbearable. This is a tender record about affection and beauty that doesn’t announce itself. The groove is understated, the emotion is genuine, and Lojay’s presence adds warmth without overshadowing the lead.

Young Legend, ft Joeboy Abefe – Let Me Go

Moves at a comfortable pace, being that it’s rhythmic and melodic in the way contemporary Afropop does well. Joeboy’s vocal signature is recognisable throughout, and Abefe does well on a track that doesn’t deliver too much to the listener.

Joki ft Fave – Sundown

Fave’s vocals carry the weight here, reaching out but restrained at the same time, over production that blends West African groove with a soulful R&B finish. Best experienced on a night drive with the windows down.

Boy Spyce ft Ajebo Hustlers – Heavenly Race

Smooth R&B vocal work meets high-energy Afrofusion and the Hustlers’ rap-laced delivery. The contrast works because Boy Spyce keeps it calm while the featured act brings the momentum.

TheChibyVerse ft DJ VoystEasyScopeLadipoe – Party Scatter

The brief for this one is a song built around controlled chaos, flex culture, humour, and social commentary packed into one Afrobeats record. Ladipoe’s verse anchors it. It’s the lead single from the Sounds From The South album, which sets an interesting tone for the project.

Dusten Truce – Not a Lot

Sits in Alté Hip-Hop territory, blending alternative rap with Afro-fusion. The song is a meditation on survival and self-worth in Nigeria’s reality, and it tries.

Uncle Bubu ft KemuelCupidSZNTelz – Darkest Secrets

Atmospheric synths and R&B undertones give this Afrobeats and Alté record a really cool feel. The song is the type that grows on you; it’s unhurried, infectious, and easy to return to. A fitting close to the week.
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Wizkid Headlines Afro Plus Fest, Marks 15 Years In Music

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Grammy Award-winning Nigerian Afrobeats star Ayodeji Balogun, popularly known as Wizkid, closed the 2026 edition of the Afro Plus Fest in Maryland, United States, on Sunday, marking 15 years since his breakthrough in the music industry.

The 35-year-old singer headlined the final night of the three-day festival, which ran from 4 to 6 September at the Northwest Stadium Complex in Landover, Maryland.

Wizkid’s performance carried added significance as he celebrated a decade and a half in the industry, having first risen to prominence with the hit “Holla at Your Boy” from his 2011 debut album, Superstar.

Wizkid, who shared the stage with a global line-up of Afrobeats, dancehall and hip-hop artists, delivered a mix of career-defining tracks that had the crowd singing along.

The performance included “In My Bed,” “Daddy Yo,” “Bad to Me,” “Slow Down,” “Caro,” “Essence,” “Alaye,” “Jogodo,” “Money Constant,” and “Ojuelegba.”

Since his breakthrough in the industry, Wizkid has built one of the most decorated careers in African music, becoming the first Nigerian artist to reach No. 1 on the Billboard Hot 100 as a co-writer and featured artist on Drake’s “One Dance.”

His catalogue includes albums such as Ayo, Made in Lagos, More Love, Less Ego and Morayo.

Wizkid has also won a Grammy Award for his contribution to Beyoncé’s “Brown Skin Girl” and is the most-streamed African artist on platforms such as Spotify. His Tems-assisted hit “Essence” achieved massive global crossover success.

The artist’s appearance as the final-night headliner underscored both his influence on Afrobeats and the rapid growth of Afro Plus Fest into a major diaspora gathering.

Official announcements for the festival featured Nigerian superstar Davido as the Friday headliner, Jamaican dancehall artiste Alkaline on Saturday, and Wizkid closing on Sunday, with additional acts including Lil Baby, Latto, Tems, Ayra Starr, Tiwa Savage, Olamide and Adekunle Gold among others.

Billed as the largest Afro-Caribbean-Hip Hop festival, the 2026 edition reportedly expanded to a three-day format across two stages, drawing a projected 40,000 fans daily.

Reflecting on the festival’s growth, Founder and Executive Producer Michael Awosanya noted in an earlier statement that the event had evolved into a global diaspora movement.

“The block party we dreamed about for a decade became a reality, and it exceeded every expectation. This sold-out debut proved that Afro Plus Fest is not just an event — it’s a movement. This was only the beginning. Afro Plus Fest is here to stay,” Awosanya stated.

 

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Toxic Today, Sweet Tomorrow – Deborah Shokoya Speaks On Peller, Jarvis Marriage

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Nollywood actress Deborah Shokoya has reacted to the mixed opinions surrounding the marriage of social media personalities Peller and Jarvis.

Daily Voice reports that the actress said public opinion can change quickly based on what people see.

Shokoya commented on an Instagram post while discussing how people often judge relationships from the outside.

She said that some people who criticize a relationship at one moment may later support and admire the same relationship when circumstances change.

She advised Peller and Jarvis, as well as others facing public scrutiny, to focus on understanding themselves and doing what works for them rather than allowing outside opinions to determine their choices.

The actress also urged people to prioritise their happiness and peace of mind while avoiding self-deception.

She wrote: “I Have Seen People Talk Down On Peller And Jarvis’s Marriage Today, Support And Admire It Tomorrow🤣 Call It Toxic Today, Then Call It Sweet Tomorrow🤣 I Have Come To A Conclusion Of What I Already Know Before Tho… That People Will Always Judge Base On What You Show Them😁😂 Just Do You! Know You! Satisfy You! Do What Works For You! People Will Always Talk Regardless… They Will Always Judge Anyways! You Owe Your Happiness And Sanity To Yourself, Just Best Live By Not Deceiving Yourself👌.”

 

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Tragedy as Another Popular Actress Dies of Cancer After Ogogo

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Nollywood has been thrown into mourning following the death of actress Atinuke Remilekun Kareem, who passed away after battling breast cancer.

Kareem’s death was announced on Tuesday by Owolabi Ajasa, the Ogun State governor of the Theatre Arts and Motion Pictures Practitioners Association of Nigeria (TAMPAN), in a statement shared on his Instagram page.

Ajasa expressed appreciation to colleagues, fans and well-wishers who supported the actress financially and emotionally during her illness, but said their efforts had ultimately not been enough to save her.

“Sadly, despite all our efforts and prayers, Atinuke has passed on and answered the final call,” Ajasa said.

He added that the association remained grateful to everyone who contributed towards Kareem’s treatment, offered prayers or encouraged her and her family during the difficult period.

The actress had publicly appealed for assistance during her battle with breast cancer. In a video circulated online, Kareem disclosed that she had been receiving treatment for some time and that the financial burden had placed considerable pressure on her family.

“I’m a breast cancer patient. It has been going on for a while. My family has spent a lot of money; I’ve come to seek help,” she said in the appeal.

Kareem also revealed that she was a mother of two young children as she appealed to Nigerians and other well-wishers to assist with her treatment.

Her death has triggered an outpouring of grief across the Yoruba film industry, coming barely days after the death of veteran actor Taiwo Hassan, popularly known as Ogogo, who died after a prolonged battle with cancer.

Kareem’s passing has therefore deepened the sense of loss within an industry that has endured a string of bereavements involving actors and other practitioners.

The TAMPAN Ogun chapter described her death as an “irrecoverable loss” and prayed for strength for her family, colleagues and loved ones.

Ajasa said the association could only accept the development and entrust Kareem’s soul to God.

“We cannot question the Almighty God. We can only submit to His will and pray that He grants her eternal rest and gives her family, colleagues, and loved ones the strength to bear this painful loss,” he said

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