Entertainment
Lizzy Anjorin Told What To Do To Tope Alabi Over Birthday Mess
Renowned gospel singer Tope Alabi has found herself at the centre of controversy after she reportedly refused to perform at actress Liz Anjorin’s surprise birthday party despite receiving a payment of N2.5 million from fans who organized the event.
According to multiple sources, Alabi was invited by Anjorin’s husband to give a surprise performance at the birthday celebration.
However, upon arriving at the venue, the gospel singer declined to step down from her vehicle, insisting she would not perform. Continue Reading.
Her decision has since sparked intense public speculation and backlash.
While Alabi has so far declined to comment on the matter, industry insiders believe her decision may not be unconnected to Liz Anjorin’s controversial reputation.
Anjorin, has been described as a controversial figure in Nollywood, has been involved in several high-profile feuds — most notably with fellow actress Iyabo Ojo.
Those who should know suggested that Alabi may have chosen to distance herself from Anjorin’s brand due to these ongoing controversies.
In a swift and fiery reaction, Anjorin took to social media to air her grievances.
She expressed disappointment in her fans for inviting a gospel singer to her party, emphasizng her Islamic faith and stating she would have preferred an Islamic artist.
Anjorin also criticised what she described as a wasteful expenditure, arguing that the millions spent could have helped people in need, especially those struggling with hospital bills.
“I can never use my money to call Aunty Tope Alabi to sing for me,” Anjorin wrote. “The best of her songs is in her album and I can easily play it in my house.”
The actress concluded her statement by saying she harbours no ill will towards Alabi but made it clear: “Aunty Tope, I love you but I don’t need you.”
As the drama continues to unfold, many Nigerians on social media have offered Anjorin and her husband to sue the gospel singer for bridge of agreement in amount worth N100 million.
Read the reactions below:
@A_nike: “I swear you will pay back in multiple times, you didn’t act like a respected person”.
@OluJohnson54: “Aunty Tope does not behave like a real big sister, that has been the way she behave among her colleagues.”
@Tim_kay07: “I trust Anjorin, she’s going to sue her, this is bridge of agreement. I hope she knows the consequence of what she has done”.
@Gladvoice_1: “I will sue her at least with N100 million, next time she will not try it with anybody.
watching to see if Alabi will eventually break her silence — or if the silence itself speaks volumes.
Grammy Award-winning Nigerian Afrobeats star Ayodeji Balogun, popularly known as Wizkid, closed the 2026 edition of the Afro Plus Fest in Maryland, United States, on Sunday, marking 15 years since his breakthrough in the music industry.
The 35-year-old singer headlined the final night of the three-day festival, which ran from 4 to 6 September at the Northwest Stadium Complex in Landover, Maryland.
Wizkid’s performance carried added significance as he celebrated a decade and a half in the industry, having first risen to prominence with the hit “Holla at Your Boy” from his 2011 debut album, Superstar.
Wizkid, who shared the stage with a global line-up of Afrobeats, dancehall and hip-hop artists, delivered a mix of career-defining tracks that had the crowd singing along.
The performance included “In My Bed,” “Daddy Yo,” “Bad to Me,” “Slow Down,” “Caro,” “Essence,” “Alaye,” “Jogodo,” “Money Constant,” and “Ojuelegba.”
Since his breakthrough in the industry, Wizkid has built one of the most decorated careers in African music, becoming the first Nigerian artist to reach No. 1 on the Billboard Hot 100 as a co-writer and featured artist on Drake’s “One Dance.”
His catalogue includes albums such as Ayo, Made in Lagos, More Love, Less Ego and Morayo.
Wizkid has also won a Grammy Award for his contribution to Beyoncé’s “Brown Skin Girl” and is the most-streamed African artist on platforms such as Spotify. His Tems-assisted hit “Essence” achieved massive global crossover success.
The artist’s appearance as the final-night headliner underscored both his influence on Afrobeats and the rapid growth of Afro Plus Fest into a major diaspora gathering.
Official announcements for the festival featured Nigerian superstar Davido as the Friday headliner, Jamaican dancehall artiste Alkaline on Saturday, and Wizkid closing on Sunday, with additional acts including Lil Baby, Latto, Tems, Ayra Starr, Tiwa Savage, Olamide and Adekunle Gold among others.
Billed as the largest Afro-Caribbean-Hip Hop festival, the 2026 edition reportedly expanded to a three-day format across two stages, drawing a projected 40,000 fans daily.
Reflecting on the festival’s growth, Founder and Executive Producer Michael Awosanya noted in an earlier statement that the event had evolved into a global diaspora movement.
“The block party we dreamed about for a decade became a reality, and it exceeded every expectation. This sold-out debut proved that Afro Plus Fest is not just an event — it’s a movement. This was only the beginning. Afro Plus Fest is here to stay,” Awosanya stated.
Nollywood actress Deborah Shokoya has reacted to the mixed opinions surrounding the marriage of social media personalities Peller and Jarvis.
Daily Voice reports that the actress said public opinion can change quickly based on what people see.
Shokoya commented on an Instagram post while discussing how people often judge relationships from the outside.
She said that some people who criticize a relationship at one moment may later support and admire the same relationship when circumstances change.
She advised Peller and Jarvis, as well as others facing public scrutiny, to focus on understanding themselves and doing what works for them rather than allowing outside opinions to determine their choices.
The actress also urged people to prioritise their happiness and peace of mind while avoiding self-deception.
She wrote: “I Have Seen People Talk Down On Peller And Jarvis’s Marriage Today, Support And Admire It Tomorrow🤣 Call It Toxic Today, Then Call It Sweet Tomorrow🤣 I Have Come To A Conclusion Of What I Already Know Before Tho… That People Will Always Judge Base On What You Show Them😁😂 Just Do You! Know You! Satisfy You! Do What Works For You! People Will Always Talk Regardless… They Will Always Judge Anyways! You Owe Your Happiness And Sanity To Yourself, Just Best Live By Not Deceiving Yourself👌.”
Nollywood has been thrown into mourning following the death of actress Atinuke Remilekun Kareem, who passed away after battling breast cancer.
Kareem’s death was announced on Tuesday by Owolabi Ajasa, the Ogun State governor of the Theatre Arts and Motion Pictures Practitioners Association of Nigeria (TAMPAN), in a statement shared on his Instagram page.
Ajasa expressed appreciation to colleagues, fans and well-wishers who supported the actress financially and emotionally during her illness, but said their efforts had ultimately not been enough to save her.
“Sadly, despite all our efforts and prayers, Atinuke has passed on and answered the final call,” Ajasa said.
He added that the association remained grateful to everyone who contributed towards Kareem’s treatment, offered prayers or encouraged her and her family during the difficult period.
The actress had publicly appealed for assistance during her battle with breast cancer. In a video circulated online, Kareem disclosed that she had been receiving treatment for some time and that the financial burden had placed considerable pressure on her family.
“I’m a breast cancer patient. It has been going on for a while. My family has spent a lot of money; I’ve come to seek help,” she said in the appeal.
Kareem also revealed that she was a mother of two young children as she appealed to Nigerians and other well-wishers to assist with her treatment.
Her death has triggered an outpouring of grief across the Yoruba film industry, coming barely days after the death of veteran actor Taiwo Hassan, popularly known as Ogogo, who died after a prolonged battle with cancer.
Kareem’s passing has therefore deepened the sense of loss within an industry that has endured a string of bereavements involving actors and other practitioners.
The TAMPAN Ogun chapter described her death as an “irrecoverable loss” and prayed for strength for her family, colleagues and loved ones.
Ajasa said the association could only accept the development and entrust Kareem’s soul to God.
“We cannot question the Almighty God. We can only submit to His will and pray that He grants her eternal rest and gives her family, colleagues, and loved ones the strength to bear this painful loss,” he said
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